Prints For Sally
Read More
All American Commute
This Smithsonian Magazine Editor's Choice is one of my favorite exposure of all time. This is a 30 second shot taken prior to sunrise looking over the Memorial Bridge as rush hour traffic hurries across. I particularly like the "heartbeat" of the photography, a jogger's chestlight that appears on the right hand side of the image. NOTE: A one half stop soft GND filter was used to slightly darken the above the horion portion of this photograph. Contrast was also slightly adjusted.
AllAmericanCommuteCherry BlossomsLincoln MemorialNational MonumentsTidal BasinUS CapitolWashington DC
White Wash
Photo taken at sunset after a 2.5 mile hike to active flowing lava. This is a .4 second expousre to show the motion of both the waves and lava. NOTE: No major edits were made to this photo in post, minor contrast adjustments were made.
Primordial Beach
Photo taken at sunset after a 2.5 mile hike to active flowing lava. It is a 5 second exposure that highlights the interaction of the motion of the billowing smoke, crashing waves and flowing lava. NOTE: A one stop soft GND filter was applied to darken the above the horizon portion of the photograph, slight contrast adjustments were made.
Blastoff at Shiprock
A long exposure, 5 minute, photograph of Shiprock taken at astronomical dawn as a set of whispy clouds flow over the formation. The light source for this photograph was the light of the full moon. Note: A one stop GND filter was applied to the below the horizon portion of this photograph to achieve the desired light balance above and below the horizon.
Reflective Wave
Early morning light hits the upper portion of a wave formation as it is reflected in a temporary pool of water. NOTE: A two stop soft GND filter was used to darken the portion of the photo where directed sunlight hits the sandstone.
Sandia Sunset Clouds
Gorgeous clouds are lit up by the last rays of the setting sun; a rare occurance that I was lucky to be able to photograph. NOTE: A one stop soft GND filter was used to darken the above the horizon portion of the image and more closely bring it in line with the scene that evening. Other than that no major adjustments were made, contrast was increased slightly.
Sunrays
I couldn't have asked for better light on this particular evening. In addition to that, while dust is usually bad for visibility, in this case it created two effects that I absolutely find amazing. First, the sunrays. They are absolutely endless and amazing. Second is the seemingly endless supply of peaks that fade into the dusty distance of gold as the viewer peers down the Grand Canyon. This photograph was taken from near Desert View Point on the South Rim of the Grand Canyon. NOTE: I exposed for the clouds with a 2 stop Hard GND Filter at the time of exposure and later lightened the under the horizon portion of the photograph by one half stop. This replicates the view as seen that evening and is necessary to more closely recreate the dynamic range that one could have seen with the human eye at the time.
Desert Pallisades
The 30 second exposure was taken after the sun had set and only diffuse reflected light was hitting the Pallisades of the western Grand Canyon. The tone of light and hue of blue created that was cast on this evening down the canyon was very pleasing to the eye. NOTE: At time of exposure I used a polarizing filter and a handheld 2 stop Soft GND to even tones between the above and below the horizon portions of the image.
Tonto Dawn
This wide angle photo was taken from Plateau Point on the Tonto Plateau inside the Grand Canyon. It is roughly a 6 mile hike to this point from the South Rim that takes about half as long, and a quarter the energy, as the 6 mile hike back to the top of the rim. This is a remarkable place that I would highly recommend seeing for yourself, that is if you have the stamina to make it back out of the canyon. NOTE: I applied a one stop GND filter to darken the above the horizon portion of the image and increased contrast.
Left Fork Cascade
This 2 second exposure was taken before direct light entered the canyon. Prior to this point on the hike the bed of the river looked somewhat unremarkable, but then we hit this portion of the ascent and were blown away by the waterfalls and vertical navajo sandstone rock formations. NOTE: A one stop soft GND filter was applied to the top portion of this photograph and contrast was adjusted slightly.
LeftForkCascadeObservation PointThe NarrowsThe SubwayZion National Park
Subway Icon
This 8 second exposure highlights an iconic view of "The Subway" formation inside Zion National Park. This photograph was taken a couple hours after sunrise, before direct sunlight entered the formation. NOTE: Highlights in the upper third of the photograph were slightly burned, but solely to reclaim the detail that the naked eye could see that morning as optimum exposure was set to the lower part of the formation.
SubwayIconObservation PointThe NarrowsThe SubwayZion National Park
Candyland
This 13 second post sunset, dusk exposure highlights how swiftly the colors of the sandstone shift in the twilight hours in the White Pocket. I enjoyed watching teh whole area turn pink prior to the night's dark setting in. NOTE: A one half stop soft GND filter was used to darken the above the horizon portion of this photograph and more acurately reflect the scene as seen with the human eye that evening.
Vermillion Polaris
This is one of my favorite exposures of all time (at this point in time). It is a 863 second wide angle shot of my favorite formation in White Pocket. The formation is lit by a waning moon as astronomical dawn arrives. The world turns and seems to be in line with the flow of the White Pocket, the only time this formations of this area seem to make sense. NOTE: The entire exposure was lightened by one stop as the original exposure was underexposed.
